The Big Bang series takes the original idea as its starting point. Not as a scientific event to be illustrated, but as a founding gesture to be reactivated. Each canvas becomes a moment of explosion: a surge of colors that curl, collide, intersect, and project matter to the limits of the frame.

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The pictorial surface is envisaged as a field of expansion. The center acts as a primary impulse, a centrifugal force that propels pigments and gestures to the four corners of the canvas. The colorful trajectories are not random: they construct a whirlwind, a spiraling dynamic where energy and gravity coexist.

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Big Bang is not a cosmological representation, but a tribute. A pictorial act of gratitude addressed to the first impulse—to that initial explosion that made light, matter, life, and, by extension, the very act of creation possible. Painting then becomes a symbolic repetition of the beginning.

 

In this series, color is pure energy. The projected matter affirms the physicality of the gesture. The work embraces its expansive dimension: it transcends the frame through sensation, it overflows through movement.

 

Each painting is a renewed origin.

A vibrant chaos that celebrates love as a primordial force.