LINEAR

With Linear, painting changes pace. Where the circle united and projection overflowed, the line intervenes as a structuring force. It segments, cuts, and directs. It introduces tension.

 

Taking up the chromatic momentum of Unity, the series retains the vitality of bright colors but inscribes them in a more assertive architecture. Lines cross the surface, create axes, generate breaks. They do not contain energy: they channel it.

 

Each line acts as a decision. It imposes a path for the eye, establishes a balance of power, organizes space into dynamic fields. The composition becomes more tense, almost electric. The work oscillates between expansion and control.

 

Linear thus explores the boundary between freedom and structure.

Color expresses momentum; the line affirms direction.

 

In this series, painting is no longer just circular movement:

it becomes trajectory.